Stories Without Words: The Versatility of Video Game Music

Music is a wonderfully diverse art form, encompassing a vast array of genres and an endlessly wide variety of subjects. Lyrics are often the most important part of any given song, as they provide the majority of its impact and meaning - for most people, that is. In truth, I tend to ignore lyrics and focus more on the way songs sound - the cadence of the singer's voice and the quality of the music itself is what makes or breaks a song for me. To this point, I generally prefer music without lyrics.

A good story can be told through music alone, casting words aside in favour of evoking emotional resonance through instrumentation. Nowhere is this more apparent than in the realm of video game music, where any given tune can tell its own tale - one that may not be explicitly stated or otherwise implied. It adds depth and nuance to any scene, and ultimately serves as the backbone for atmosphere in general.

There are countless examples of video game music elevating something that would otherwise just be alright into something truly incredible, and the varied nature of these examples is a testament to the versatility that is inherent to this kind of music. With that in mind, I believe that the tracks listed below are some of the best examples of what video game music can achieve, from the stories they tell to the impact they leave - all accomplished without a single word.


As with music, a good story can make or break a game - even a simple tale can be effective if it is written well. Many games that take this simple yet effective route of storytelling rely on things like atmosphere in order to convey deeper points and emotions. The Pokémon series in particular is notable for staying true to this method, with admittedly mixed results - for the most part, that is. Black and White are still held in high regard for prioritizing the story over everything else, and with that story comes music to match its quality and depth.

Lace up your running shoes and gather your team of Pokémon, because you're heading down...

UNOVA ROUTE 10

"If I get stronger and become the Champion, that will be the reason for my existence. I want to prove that I'm really living."

Route 10 serves as the penultimate path of the game, and the music perfectly captures the essence of finality and reflection. It sounds bittersweet yet hopeful, as if to remind you that while your journey across Unova may be coming to an end, the memories that you made will remain to be cherished forevermore. The area itself is nothing special on the surface, but the importance that it carries deserves a story of its own, and this track tells that tale in a beautifully wistful fashion.


It is important to note that not all video game music carries emotional resonance or plot relevance in the same way that Unova Route 10 does. Instead, many tracks build upon the atmosphere in a more tangible sense by associating a certain kind of music with the way that an area looks and feels. This is probably the most common type of video game music, but that is not necessarily a bad thing - quite the opposite, in fact!

Bundle up and prepare to brave the oppressive chill of the Frostlands, for your destination is...

A TOWN VEILED IN WHITE

"Welcome to Stillsnow, our humble village buried amidst the deep drifts."

Picture this, if you will - a small, cozy village, nestled in a valley overlooked by the snow-capped peaks of a towering mountain range that extends across the horizon. Bathed in the soft ochre glow of gaslight, the winding cobble streets are bustling with activity - market stalls offering homemade pastries and confections, families spending time at the local ice rink, couples enjoying a night on the town. The cheer and festivity is practically tangible, felt in the air that carries a gentle snowfall to build upon the pristine winterscape. Above, the northern lights race across the sky - a vibrant, blazing cascade of colour on a canvas of pitch, gracefully weaving its way through the stars on high.

This beautiful picture - perfectly serene and ethereal - is what the track paints, and is a prime example of what music can do for atmosphere.


As we have seen, video game music can tell stories through emotional resonance in tandem with plot developments, or it can simply help to craft an immersive atmosphere. This, of course, is where the inherent versatility that I mentioned comes into effect, as there are plenty of tracks that can carry emotional impact, work with the plot, and build atmosphere. Tracks like this are fairly rare, as it takes a truly talented composer to check all three boxes at once. The results are often fantastic, and usually lead to some highly memorable moments.

It will not be easy to forget the icy grasp of dread that creeps its way through your veins. The end of your journey and the target of your revenge await you at the pinnacle of the towering fortress that now stands before you - a place better known as...

DEATHSHEAD'S COMPOUND

"Remember that you trespass against a man who built a civilization."

Hailing from the titular compound, this track builds atmosphere and a sense of purpose for the story all at once. It takes a while to build up to the main segment, and it spends that time making you feel like you're leading the charge against an impossibly strong enemy force. This initial part of the track is bleak, emanating a chilling aura of uncertainty and desperation. Once you get further into the compound, though, it drops hard. The legions of Nazi soldiers and mechanical monstrosities fall before your relentless assault, and the gravity of the situation is brought crashing down upon you - after everything that you've been through, you're about to kill the man whose inventions singlehandedly won the war for the Germans, ushering in an era of tyranny and chaos.

The methodical buildup of this track makes for an excellent, atmospheric, and downright epic sequence.


Every battle is a story in its own right, and while some play out over entire levels, some get straight to the point with a climactic clash against a villain - and by that, I mean boss battles. Most music in this category is pretty straightforward, but as with the last example, a truly talented composer can turn an otherwise shallow track into a self-contained narrative sequence. This usually manifests in the form of different music for different phases of a battle, often getting more intense over time.

Case in point: you've quite literally fought your way out of hell, and all that stands before you and your freedom is a single opponent, standing across the ancient terrace. There must be some sort of catch, right?

Of course there is.

Your opponent is the Lord of the Underworld himself, also known as...

HADES, GOD OF THE DEAD

"You wish to test yourself against the full extent of my wrath? Very well."

This track has three distinct phases, all of which go even harder than the last. The first phase starts off slow to match the pace of the battle, which pairs well with the sombre nature of the encounter - a necessary evil, if you will. The second phase brings the heat, as the battle becomes far more intense. Eventually - once it seems that Hades has been vanquished - the intermission cools things down for a bit.

Then the third phase kicks in, and all hell breaks loose. Neither side is holding back at this point, and the frenzied pace of the track at this point speaks volumes about how goddamn awesome this battle is.

Eons of pent-up rage, frustration, and resentment between two ancient gods is conveyed in just 13 minutes of metal. That is the power of video game music, and it just goes to show how incredibly versatile it can be when telling a story without words.


With the right track, any kind of story can be told - a bittersweet look back on an unforgettable adventure, an immersive take on a lovely winter village, a last-ditch assault on the compound of a man who effectively ended the world, or a clash between gods that was thousands of years in the making. The narrative possibilities are endless.

The sun now sets on this post, but there are countless examples of stories without words in the realm of video game music - you just need to listen for them.


The Conductor

The Conductor is a riddle, wrapped in a mystery, inside an enigma. Elusive, reclusive, and an old soul through and through, he enjoys going on excursions into the wilderness, listening to classic folk music, drinking good scotch, and yelling at clouds.

An Ode to the Ottawa Ska Scene (I Miss You, Come Back)

In a few weeks, I’ll be going to my first show in nearly two years (Mr. Powers at the Dom for NYE). I’m thrilled. Jazzed. Ecstatic. Live shows have been my lifeblood since I was at least fourteen. Nearly every weekend, my friend’s mom would drive us out of suburbia and into the city so we could participate in the then-thriving Ottawa ska scene. A scene which, unfortunately, seems to be pretty dead now. It’s also one that I’ve been yearning for lately, more than I have in years.

I keep thinking about the scene around 2008. Checkered belts and wack haircuts were the style of the week. In the grungy bars of Ottawa, we were having the time of our lives. There was Mavericks on Rideau—still alive and well—with Café Dekcuf upstairs (read the second word backwards, great name). There was the occasional show at Babylon—a favourite club of mine with a now uncertain future. I can’t forget the iconic Rainbow Bistro—which my parents remember going to. Last but not least, there was The New Bayou.

Credit t. Murphy - babylon nightclub 2007

Credit t. Murphy - the new bayour

We spent more time at The New Bayou than any other venue. (Its name was apt when I think about how slippery the floor got from the amount of sweat from the audience, ew.) The now-dressed-up basement that is home to House of Targ is such a different landscape than its predecessor. The lighting was abysmal, there were ratty couches—that we probably shouldn’t have sat on—where you could occasionally catch a punk taking a nap (during shows), and all they had for food was microwaved popcorn (but were really cool about bringing your own food in.) We saw acts from near and far play shows put on by local icon, Ska Jeff (a nickname he could never really shake off).

Unfortunately, I was a broke teen at the time. I couldn’t afford the CDs on the merch tables. So, I don’t have a solid portion of the soundtrack of my youth. Fortunately for me, YouTube was already pretty well established, and every friend group had at least one digital camera between them. Thanks to this, small pieces can be found of the local scene, suspended in time.

Tea for the Voyage covering Little Bitch by The Specials - Ottawa Ska Fest 2008. The New Bayou.

The Bad News Bears, The Dirty 30s, Tea for the Voyage (Kingston), One Night Band (Montreal), Danny Rebel and the KGB (Montreal) and my personal favourite, The Living Sound System—all popped into memory as I dusted off the ska files in my head. The upbeats, the glorious walking basslines and the sound of brass horns just lift me up when I think of them. Ska is, to be cheesy here, summer in music form. There are the sunny, happy days, and the muggy, dogdays of summer.

And then there was the dancing. For songs that leaned more on the punk side of things, we moshed, but for those classic ska songs—we engaged in a dance called skanking. (Yes, it’s a funny name at first.) I’ve been to plenty of Ottawa shows of other genres where the audience just stood there, too self-conscious to dance, to even sway too much. That was never an issue at a ska show. We danced the nights away. Everyone danced the night away. Yeah, the first time you went to a show, you felt a bit like an idiot—trying to coordinate your arms and legs and look cool doing it isn’t always easy. But the community was so positive and supportive, you forgot that foolishness with ease and just went for it.

I’ve rarely felt that same energy at any other type of show here, barring raves, and now I’m craving it. I miss the ska scene. I miss the energy and good vibes. And I want to figure out how to get that back, or get something new. So, to play on a Fall Out Boy song title: do your part to save the scene and start going to shows (when we can, you know, given the whole pandemic)—but it looks like it’s already on the way back.


Tess

Tess is a long time attender of live music, from someone’s basement with questionable fire safety to sleeping in a muddy field for a week with tens of thousands of others- and questionable fire safety. Her favourite sport right now is parkour.

Best Anime Openings!

Anime is one of the biggest TV and film genres of today. With a distinct animation style, creative plots and loveable characters, anime is easily recognisable by the way it looks and sounds.

Within these shows, the title sequences and accompanying songs are incredibly important, as they set up the tone for the show and provide a sneak peek into the season’s plot. A lot of anime openings have become massively popular beyond the series they are tied to, and for good reason.

Anime is a huge genre that is filled with so many amazing soundtracks to listen to. Here is a curated list of the most well-known anime opening songs from some iconic shows.

Courtesy of Wit Studio

1) “Guren No Yumiya” by Linked Horizon

The very first opening to one of the biggest anime shows to date, “Guren No Yumiya” is a theme that perfectly matches the dark yet exciting vibe of Attack On Titan. The show has gained massive popularity all over the world, and was the first anime to achieve a large following with Western audiences. This is largely thanks to its original plot, interesting characters and of course, its catchy opening themes.

Courtesy of Wit Studio

“Guren No Yumiya,” roughly translated as “crimson bow and arrow” has all the great qualities of an action anime opening. It’s hard, fast and catchy, interestingly mixing both Japanese and German lyrics to create a great song. 

2) “Tank!” by The Seatbelts

Courtesy of Sunrise Animation

Compared to most other anime, Cowboy Bebop’s opening theme is quite different, though it matches the show perfectly. The jazz-influenced instrumental track makes for a great opening to an action-packed story of bounty hunters set in space. “Tank!” combines elements of blues, swing and pop together, creating a unique and contemporary mix. 

Courtesy of Gainax

3) “A Cruel Angel’s Thesis” by Yoko Takahashi

Although Neon Genesis Evangelion is a huge success in itself, it remains a niche interest in Western culture. The anime is set in a future version of Tokyo where teenagers fight in giant mecha robots to protect humanity. While that sounds cool and all, the show actually has some pretty dark themes, and the opening “A Cruel Angel’s Thesis” perfectly captures both aspects of the anime. The music sounds light and upbeat, but the lyrics are quite depressing, making an interesting juxtaposition of the song. 

4) “Sincerely” by TRUE

For fans of Violet Evergarden, its opening “Sincerely” holds a special place in their hearts. The anime follows former soldier Violet on her journey of reintegrating back into society after the war, searching for her life’s purpose. It deals with themes like love and loss, and has many tear jerking moments throughout.

“Sincerely” is able to flawlessly capture all the emotions of the show. Its bittersweet melody and heartfelt vocals will have you crying before the episode has even started.

Courtesy of Kyoto Animation

Courtesy of A-1 Pictures

Another emotional rollercoaster of an anime, Your Lie in April, which “Hikaru Nara” is from, set the bar for drama anime high upon its release. Now, seven years later, the song withholds its influence. It begins with a playful guitar strum that immediately leads into an powerful yet cheerful melody. Its build-up is strong and the chorus explodes with unparalleled intensity.

Those were some of the best and (in my opinion) absolutely unskippable anime openings. Not only are the soundtracks top tier, the anime themselves are also definitely worth a watch.


Lily Scutt

Lily is a student at Algonquin College. She enjoys writing and playing video games, and she loves animals.

Nirvana Unplugged - Reliving a Night in Music History

Nirvana on stage in nyc - Courtesy of culture sonar

On Nov. 18, 1995, Kurt Cobain and Nirvana took the Sony Studios stage in New York City for a concert that the world will never forget. As part of the live concert series Unplugged that MTV produced – you know, back when they actually played music on their network – the band left their electric guitars and generational angst at home and gave a performance much gentler than their audience was accustomed to.

Little did anyone know that it would be one of Cobain’s last television appearances, as he tragically took his own life five months later. As Charles Cross addressed in his biography of the troubled rocker, Heavier Than Heaven, Kurt was struggling with drug withdrawal and nervousness in the days before the show, and there was worry that he wouldn’t be able to perform. Thankfully, he persevered.

Kurt cobain - Courtesy of Rolling Stone magazine

The other night, I decided to re-watch this historic show for the umpteenth time, taking notes along the way. As the band took the stage, which was decorated with stargazer lilies and black candles, at Kurt’s request, I remarked how unrecognizable Dave Grohl looked from his current form – his face clean-shaven, turtleneck high and ponytail well-kept. But all of my attention was on Cobain, his piercing blue eyes complementing that famous, fuzzy, pea-green cardigan.

The show kicked off with “About a Girl,” from the band’s first album, Bleach. “Most people don’t own it,” the frontman sarcastically remarked.

What followed was “Come as You Are” from Nevermind, the album that – to Kurt’s chagrin – launched Nirvana to superstardom. The sound of the first guitar chord sent a shiver through my body. This was the most famous Nirvana original on the setlist that night, and while many expected to band to play more of their hits, the show’s director, Beth McCarthy-Miller, knew better than to overstep.

“If you want them to play ‘Smells Like Teen Spirit,’ you can go ask them,” she told executive producer Joel Stillerman. “I’m not going to be the sacrificial lamb.”

L-r: dave grohl, kurt cobain, & krist novoselic. courtesy of People magazine

After a cover of the Vaselines’ “Jesus Doesn’t Want Me for a Sunbeam,” the first of six covers to be performed, came a rendition of David Bowie’s “The Man Who Sold the World” that tops my list of favourite Nirvana songs. It’s a good thing my roommate was at work because I couldn’t help but loudly sing along. As Cross astutely recalled during an interview with The Ringer, “the richness and resonance in his voice, there’s no other word for it than haunting.”

“I didn’t screw it up, did I?” Kurt asked at the end of the song. “But here’s one I might screw up,” speaking of “Pennyroyal Tea,” from the band’s recently released third album, In Utero.

Following this beautiful song, performed alone by Kurt and his guitar, came another track from In Utero, “Dumb,” and then a trio more from Nevermind: “Polly,” “On a Plain” and “Something in the Way.” Kurt then invited Cris and Curt Kirkwood from the Arizona band Meat Puppets on stage for three songs from their album Meat Puppets II, which also didn’t sit well with producers. “They’re not doing any hits, and they’re inviting guests who don’t have any hits to come play. Perfect.” It wouldn’t have been very ‘grunge’ for Kurt to go with the grain anyways.

A yet-to-be-released single, “All Apologies,” was the band’s penultimate performance, and their best was saved for last: a cover of Lead Belly’s “Where Did You Sleep Last Night.” As Kurt belted the chorus for the final time, his voice noticeably increased an octave, followed by a gasp which, as MTV executive Amy Finnerty recalled, “made time stop.”

kurt, on tour for in utero. Courtesy of rolling stone magazine

“I will never forget those last vocals,” McCarthy-Miller told The Ringer. “I can hear them in my head right now.”

As Cross surmised, Cobain believed he wouldn’t be able to top that performance and refused an encore. The audience roared, the credits rolled, and Nirvana walked off stage. The album recording of the show has since gone multiplatinum, and even won a Grammy in 1995 for Best Alternative Music Performance. While the show’s significance wasn’t clear at the time, it exists in the hearts and minds of fans as a requiem of one of music’s most tragic figures.


Connor Burk

Connor is in his second year of Algonquin’s Professional Writing program. Believe it or not, he actually listens to other genres of music besides rap. His three favourite musicians, in no particular order, are Eminem, Jim Morrison and Kurt Cobain.

MONTERO

courtesy of columbia records

Montero is the first studio album released by Lil Nas X. It debuted in September of 2021, just in time for the beginning of the school year. When it was released, I played the album all the way through and had it on repeat for the next couple of weeks. Montero is essentially the diary of Lil Nas X that documents his journey through life in 15 songs.

“Montero (Call Me By Your Name)” was the first single released and the first track. Lil Nas X posted to Instagram, dedicating the song to his younger self. The music video sparked much controversy among Christians and conservatives as it shows Lil Nas X giving Satan a lap dance. The song and music video play on the hypocrisy of Christianity that treats homosexuality as a sin. But, the song is more about the love we need to teach ourselves rather than the religious hate towards gay people.

“Dead Right Now” is the second track on the album and is a narrative about his family and friends who didn’t support him growing up. Now that he’s hugely successful, these people have tried to come back into his life.

“Industry Baby” is the third song and features Jack Harlow. This song highlights that Lil Nas X is not just a “one-hit wonder” as he boasts about his accomplishments as an artist with his multiple Grammy wins.

“That’s What I Want” comes next and tells the story of Lil Nas X’s love life. It highlights the struggles he has faced while trying to date as a black, gay man. There are limited portrayals of black, gay men in relationships in media, so a relationship like this has seemed unattainable for Lil Nas X. But he remains hopeful and knows he is deserving of love.

lil nas x at the 2021 met gala: image courtesy of teenvogue.com

“The Art of Realization” is a 24-second interlude. It acts as a transition between the previous song and “Scoop.” “Scoop,” which features Doja Cat, focuses on how Lil Nas X often seeks companionship through casual hookups. He acknowledges that even though he wants a relationship, he often settles for the next best thing: a casual relationship.

“One of Me” focuses Lil Nas X’s criticisms on his way to stardom. He also touches on how he’s often not taken seriously as an artist. The song features Elton John, who received similar criticisms after coming out as gay during his career so, while this pairing is unexpected, it’s appropriate.

Lil nas x’s satan shoes designed in collaboration with mschf for the promotion of montero: image courtesy of cnn.com

“Lost in the Citadel” tells the story of how Lil Nas X lost himself in a past relationship. He was so infatuated with his partner that he was blind to how toxic the relationship was.

“Dolla Sign Slime” features Megan Thee Stallion and is essentially the two of them playing off one another about their successes.

“Tales of Dominica” touches on Lil Nas X’s insecurities and the pressure for him to succeed. Even though he’s wildly successful now, he still questions the possibility that the people in his past were right, that he’ll never amount to anything.

In “Sun Goes Down,” Lil Nas X expresses his struggles with depression and being suicidal. It touches on how he was picked on for being black and gay. Despite encountering these obstacles growing up, he’s glad that he decided to be unapologetically himself.

“Void” shows Lil Nas X’s vulnerable side. He sings about how he often feels alone, even though many people look up to him

“Don’t Want It” is about how if you want something, you can have it, and Lil Nas X sings that he is proof of this message.

“I think Lil Nas X really epitomizes the idea of expressing yourself through style. I love how he keeps breaking boundaries through his music, through his videos and with his style choices.” - Donatella Versace for GQ magazine.

“Life After Salem” has a punk-rock sound that complements its message of how an ex-lover that caused him pain and heartache ultimately left him feeling numb.

The album finishes with “Am I Dreaming.” It features Miley Cyrus, whose dad, Billy Ray Cyrus, helped Lil Nas X start his career with “Old Town Road.” Having this song last is Lil Nas X’s final way of saying, “I made it.”

Not only is this album a joy to listen to, but it also tells a wonderful story of how a young, black, gay man rose to the top, despite having so many people tell him that he would fail.  


Molly Briggs-Webb

Molly is a student at Algonquin College. She loves writing, traveling and photography.

Rant & Roar: The Greatest Hits of Great Big Sea

From playing at pubs for $100 and free drinks to ushering in the new millenium with a crowd 90,000 strong, the meteoric rise of Great Big Sea is indicative of the fantastic quality of their songs. Quickly garnering a reputation for their unique style - a mix of contemporary pop and modern takes on traditional Newfoundland folk tunes - their reign in the Canadian folk music scene lasted for 20 years and resulted in a grand total of 14 studio and live albums, all of which carry that distinctive style. While their traditional side has produced some excellent tunes, like Old Polina and Process Man, their modern side is where their talents truly shine through.

As a lifelong fan of theirs, I take every opportunity I can get to promote their music, with the hope that their songs will bring others as much joy as they have brought me over the years. In light of this, here are five of their catchiest, most upbeat songs to date.


Consequence Free - Turn

 

Wouldn't it be great
If the band just never ended
We could stay out late
And we would never hear last call

Consequence Free may not have the deepest lyrics or the most complex instrumentation, but it makes up for that by having positive waves in spades. The message it preaches is simple: cast your concerns aside and live life to the fullest, consequences be damned. With fantastic vocals from Alan Doyle and a very catchy rhythm, Consequence Free will have you moving and grooving in no time.


Sea of No Cares - Sea of No Cares

 

When you're in love, there's no time and no space
There's a permanent smile on your face
Your friends all complain that you're going insane
But the truth is, they're just afraid

Sea of No Cares feels like the kind of song you would listen to as you cruise along a beautiful coastline road, basking in the cool ocean breeze as the heat of the sun beats down on you. Like Consequence Free, it makes up for in catchiness and positivity what it lacks in complexity and depth. Another solid tune, perfect for road trips and ordinary days alike.


Straight to Hell - Fortune's Favour

 

So have a dance with the walking damned
Before my time is done
'Cause a deal is a deal
And I don't expect fire and brimstone will be much fun

Straight to Hell goes a little harder than most Great Big Sea songs, making it great for parties and nights of festivity - especially after a few drinks. Alan Doyle nails the vocals once again, which - combined with the comparatively heavy guitar riffs and the overall hectic pace - turns this tune from an average rock song into one hell of a good time.


Nothing But A Song - Safe Upon the Shore

 

You put on a happy face
For everybody new
But the closest to your heart
So rarely get the best of you

Nothing But A Song was reportedly written after an argument between Alan Doyle and fellow band member Sean McCann, which is why its lyrics speak of how important it is to cherish the bond that one has with the people closest to them. The song itself has an uplifting and energetic tone, which contrasts well with the serious nature of the lyrics and gives it a much stronger impact overall. Give it a listen, and you'll come away with a better appreciation of what truly matters in life.


Heart of Hearts - XX

 

We answered every siren's call
We watched the stars collide and fall
Stood back to back against the wall
We ran before we crawled

Heart of Hearts is a song about looking back on life and celebrating everything that one has accomplished, as well as looking to the future and whatever it may hold. Great Big Sea came to an end soon after XX was released, so while Heart of Hearts has the bittersweet distinction of being their swan song, it still holds up as a positive, versatile, catchy and overall wonderful tune.


More than 10 years after their disbandment, the legacy of Great Big Sea lives on. Having cemented their reputation as legends of the folk rock scene, their timeless tunes are still appreciated and enjoyed by people all across Canada. They came, they saw, they conquered and crumbled - in their own true way!


The Conductor

The Conductor is a riddle, wrapped in a mystery, inside an enigma. Elusive, reclusive, and an old soul through and through, he enjoys going on excursions into the wilderness, listening to classic folk music, drinking good scotch, and yelling at clouds.

I've Spent All My Money on Festivals and I'd Do It Again

Reading and Leeds 2006 Line-up

CREDIT: Reading Festival archives

Two festivals, both alike in dignity (absolutely none), blah, blah, blah,
Romeo and Juliet reference.

Reading and Leeds are a pair of music festivals that share a line-up over the last long weekend of the summer in the UK. One’s up north (Leeds, Leeds, Leeds!) and the other’s down south (Reading, pronounced like the colour red—don’t worry lots of us have read Reading wrong and read it as read instead.) I’ve had the honour of going to both, but I’ll focus on Reading today.

Brendon Urie speaks on being bottled at Reading Fest 2006.

It first pinged on my radar in 2006. I’d heard of the festival an ocean away thanks to my obsession with Fall Out Boy, but hadn’t paid it much mind until Brendon Urie, singer of Panic! At the Disco was knocked out cold by a bottle to the head (or “bottled.” Yes, it’s a verb. Concerning? Slightly.) With YouTube in its infancy, I was watching grainy footage of the incident within days and scrolling through the comments spouting that “bottling” was supposedly a tradition of Reading. I, of course, then had to know more about this ludicrous festival, where this was just “normal.”

CREDIT: Wikipedia Bottling page.

Soon, I was scrolling through dingy forums, reading about this whole other experience of festivals I’d never known before. They had camping? Reading had been going since the 1970s? I couldn’t believe this. And the line-ups were just incredible—especially the lineup of 2006. In a matter of weeks Vans Warped Tour was no longer my ultimate-dream-festival to attend one day, Reading and Leeds had taken the lead. I then followed it for years, and unlike Vans Warped Tour (F in the chat, please), Reading continued to go strong, so 10 years later I was able to go.

Reading Fest 2016 campsite market.

Reading fest camp market. Credit: t. Murphy

Impressively enough, it was more than I’d imagined or read about. Usually, the legends you hear are a bit exaggerated and overhyped but Reading lived up to the hype. The atmosphere is something that buzzes, and you feel within a five-mile radius. The festival didn’t technically start until Friday, but even on Thursday when we’d arrived, the campsites were already filled up with people who’d been there since Tuesday (deeply committed to the sesh.) As we dragged our equipment on a thirty-minute walk, looking desperately for space, there was chaos on either side of the pathway. Tents were practically layered on top of other tents, multiple parties were happening in every direction, two guys were sat on chairs drinking ciders watching the newcomers join and my Ferris Bueller shirt earned me an approve chorus and cheers of, “Ferrrrisssss!” from them. Paintings on flags and the sides of tents were dedicated to favourite memes and toasts made in Harambe’s name could be heard all over.

As the festival goes on, this energy only grows. It gets pulled right into the arena, and usually reaches absolute peak on Sunday night. Fortunately, I did not witness any bottling of performers that year, although you definitely still had to watch your head while in the crowd. Empty cups of beer were chucked as far as they could go (which were then quickly collected into towering stacks by other festival goers as there was a 10 pence return on them). What I did get to witness were some amazing performances by—wouldn’t you know it—Fall Out Boy and Coheed and Cambria, two bands that had played that fateful 2006 show. It’s maybe a bit pathetic but I still go back and watch their sets on YouTube now when I start missing festivals again, like when I was writing this.

Fall Out Boy Reading 2016 full set.

I’m currently dreaming of my next return to either Reading or Leeds.

Sure, people burn their tents down on Sunday night, and by Monday morning you’re surrounded by levels of carnage you’d never previously fathomed, but I cannot recommend another festival more.

(Except T in the Park, but that’s over.)

Reading festival 2016. credit: t. Murphy


Tess

Tess is a long time attender of live music, from someone’s basement with questionable fire safety to sleeping in a muddy field for a week with tens of thousands of others- and questionable fire safety. Her favourite sport right now is parkour.


DAMN.

Courtesy of top dawg entertainment

Kendrick Lamar released his album DAMN in April of 2017. When the album came out, I had it on repeat for a good few weeks. DAMN was the album that really introduced me to rap. I had only heard the occasional Eminem or Kanye West song, but I had never listened to a rap album all the way through. I originally listened to it simply because I loved the music but I never thought much about what the lyrics actually meant. It never even occurred to me to think about the story he was telling through the album.

Like many albums, DAMN has various theories for its storyline. But generally, people seem to agree that the album highlights what America was like in 2017. Specifically, how divided the country was when Donald Trump was elected. At the time, republicans and followers of Trump only heard what they wanted to and ignored what they didn’t. The same mindset applied to liberals.


"I gotta stay creative, I gotta stay writing - I’m usually writing every day. I can’t miss a day without writing, whether it’s a line, a verse, or an idea. I always have to have that creative flow going."

When you listen to the songs on DAMN in pairs, they contrast each other in opposing political and social issues. The first song on the album, “Blood,” is a short and somewhat vague story about police brutality. The blind woman in the song is a symbol for the justice system and she eventually shoots the bystander who is only trying to help. The vague nature of the song shows that police brutality isn’t one particular issue but a systemic problem.

Following “Blood” is “DNA” which is longer and more detailed. It acts as a narrative of Kendrick telling the listener about all the things that make him up, the good, the bad, his failures and his successes. In comparison to “Blood,” “DNA” is more popular. This illustrates how people will turn a blind eye to police brutality and systemic racism.

“Yah” and “Element” show two opposing sides of Kendrick’s self-esteem. “Yah” shows Kendrick feeling depressed and that he has nothing to live for. But in “Element” he is extremely confident and bragging that he is the greatest rapper of all time.

courtesy of americansonwriter.com

“Feel” and “Loyalty” also contrast emotions. “Feel” highlights isolation from others while “Loyalty” fittingly shows the loyalty he feels from being connected to his peers. These two songs could be Kendrick’s connections to other people or his relationship with God. From the God perspective, “Feel” is about how people are losing their religion so “Loyalty” is God asking for people to be faithful again.

The middle songs on the album are “Pride” and “Humble.” For these two songs, the meanings are actually flipped. “Pride” is about humility while “Humble” is about being prideful. “Humble” was the first single released from DAMN and with a staggering 1.5 billion plays on Spotify, it is the most popular song on the album.

“Lust” and “Love” offer a straightforward contrast of desire and affection. “Lust” sounds somewhat eerie and outlines the selfish things people do to take advantage of others. “Love” is more upbeat and Kendrick repetitively asks someone to love him despite his possible shortcomings.

“XXX” represents chaos while “Fear” represents consistency. The music in “XXX” changes throughout the song and the lyrics don’t follow a specific storyline. “Fear” is specifically about how fear is a constant throughout life.

“God” and “Duckworth” contrast intention and free will. In “God,” Kendrick asks to not be judged for his mistakes but it is worthless because he is already damned. “Duckworth” shows that even the smallest decisions and actions can have a great impact on your life.

“When my time has come on earth, I want it to live longer than me, for the grandkids and their kids.”

When you listen to the songs on DAMN in pairs, it brings greater meaning to the album by contrasting views. The topics of the song are still relevant today, seeing as America is still very much divided after Biden won the election.

Watch Kendrick Lamar talk about his album, DAMN.


Molly Briggs-Webb

Molly is a student at Algonquin College. She loves writing, traveling and photography.

Miku Hatsune: The First Sound of the Future

Hatsune Miku is a synthetic voice program. Amazingly enough, she is also one of Japan’s biggest pop stars, and she has quite a following in other parts of the world too. With a name meaning “first sound from the future,” this virtual singer certainly lives up to it. Originally developed in 2007 by Crypton Future Media, Miku has over 100,000 songs to her name, some notable ones being “The World is Mine” (produced by supercell), “Rolling Girl'' (produced by wowaka), and “Freely Tomorrow” (produced by Mitchie M). 

Miku is a Vocaloid, an avatar of voice synthesizing software. Simply put, it’s a singer put inside a computer. Human voices are recorded in short samples, which are then stored in a database, becoming part of a software that songwriters and producers can use as an alternative to a singing voice. Miku’s voice was sampled from Japanese voice actress Saki Fujita.

Official art by KEI

With her signature long turquoise pigtails and futuristic outfit, Miku has quite a distinctive appearance. She was designed by artist KEI, who took inspiration from Yamaha keyboards and the Vocaloid program’s interface. She is 16 years old and, according to her recording company’s website, she stands at 158m tall and weighs 42kg. She is envisioned by Crypton as being an  “android diva” from a future “where songs are lost.”

Courtesy of the Miku Expo website

While it may seem crazy that a program could become so popular in the music industry, it’s also not very hard to see her appeal. Crypton has created a character that can be pretty much anything you want her to be, and who can sing in literally any genre imaginable: “Senbonzakura” features the electric riffs and energetic vibe of rock, while “House of Songs” combines pop and jazz elements. 

Then there’s the people who get really creative with using Miku’s voice. Kikuo is one such producer who’s songs always tell some sort of — oftentimes dark — story. He is known for his distinct musical style of pairing whimsical, upbeat music with themes pertaining to things like abuse or inner struggles. His song “Love Me, Love Me, Love Me” falls right in line. “Two-Faced Lovers” by wowaka is another song with a deeper meaning. Miku provides fans with a creative outlet and an opportunity to share their songs with the world.

Courtesy of the Miku Expo twitter account

But Miku is more than just a creative outlet to fans. She’s a global phenomenon that has launched the careers of many now-popular artists who got their start writing songs for her. For example, electro-pop group livetune or rock/heavy metal producer Neru. Using technology that projects her 3-D image onto a screen, Miku is able to perform these songs in concerts all around the world. She is a household name in her home country — according to a Crypton employee, “there is almost no one in Japan between the ages of 5 and 25 who doesn’t know who she is.

And now a growing number of North Americans know her too. In addition to Miku Expo — her annual concert event — Miku has had her fair share of stints with other artists like Lady Gaga, who she opened for during Gaga’s ArtRave tour in 2014. More recently, Miku has collaborated with American singer Ashnikko for a remixed version of her song “Daisy.” Last year, before COVID hit, she was even scheduled to perform at Coachella, one of Western music’s biggest stages.

The great thing about Miku is that fans are responsible for both her commercial and creative success. You don’t have to wait for her to release her next single — you can write your own. There are endless possibilities with Vocaloid and so many opportunities for fans to make a name for themselves through recording and sharing songs. Miku is all about bringing people together through music — surely that’s worthy of being called “the first sound of the future.”


Lily Scutt

Lily is a student at Algonquin College. She enjoys writing and playing video games, and she loves animals.

Rocket Stan — Unpacking Music's Most Uniquely Wholesome Friendship

The other day, as I made my way to work, Spotify blessed my ears by shuffling Tupac Shakur’s “Ghetto Gospel” into my daily mix. I was pleasantly surprised to hear the voice of Sir Elton John belting the chorus.

“Those who wish to follow me, I welcome with my hand. And the red sun sinks at last into the hills of gold, and peace to this young warrior without the sound of guns.”

Elton john & Eminem at the 2001 grammy awards - courtesy of rolling Stone

Curious of how these two musical legends came together for such an epic song, I sought out the world’s foremost authority on random trivia: Wikipedia. I did not expect to learn this collaboration was the brainchild of Marshall ‘Eminem’ Mathers, who sampled John’s 1971 “Indian Sunset” with unreleased lyrics for his production of Shakur’s fifth posthumous album, 2004’s Loyal to the Game. Speaking to The Guardian in 2005, Elton said of Eminem’s product, “How he’s managed to meld that with Tupac, I’ll never know. It’s just genius.”

This revelation got me thinking more about the unusual friendship between the Rap God and the British icon, which famously started at the 2001 Grammy Awards, where the two performed Eminem’s hit “Stan.” John provided vocal and piano accompaniment in place of Dido, who featured on the album version of the song. When the curtain was drawn to reveal his presence, the crowd expectedly lost their minds. As the performance ended, the two men hugged and held hands to the sound of thunderous applause.

A month later, the duo once again embraced on stage during the 2001 Brit Awards when John presented Eminem with the year’s “Best International Male Solo Artist” award.

On stage at the 2001 brit awards - courtesy of yahoo

By the time of these public appearances, Eminem had quickly become one of music’s most controversial figures, with many having criticized his use of violent, misogynistic and homophobic lyrics. Speaking to Zane Lowe of Beat’s 1 in 2017, the British rocker shared that he never believed Marshall’s lyrics professed personal hatred or animosity for the gay community. “For me, Eminem was never homophobic. I listened to the whole of the Marshall Mathers album when I drove to a show in South Hampton … he’s just writing about the way things are. Not how he thinks, but the way things are.”

Later that year, while appearing on the Graham Norton Show, Sir Elton doubled down in his defence of Eminem and his lyrics. “He was accused of being homophobic by so many people, which I thought was nonsense. And I came out in support of the fact that he isn’t.” Not a minute later, he would further elaborate just how misguided everyone’s views of the rapper were.

“When David [Furnish – John’s husband] and I did our civil partnership, I got this package from Eminem … we had two diamond encrusted c**k rings on velvet cushions.”

I don’t know about you, but no true homophobe would ever gift such intimate items if their heart was genuinely poisoned by hatred.

The pair at the 2020 oscars - courtesy of @eminem on instagram

Joking aside, Marshall and Elton’s relationship extends far beyond the latter’s defence of the former’s lyrical content. In 2009, Mathers told The Guardian, “When I first wanted to get sober, I called [Elton] and spoke to him about it. He’s somebody who’s in the business who can identify and relate to the lifestyle and how hectic things can be … I reached out to him and told him, ‘Look, I’m going through a problem and need your advice.’”

John – who entered rehab in 1990 for his own alcohol addiction – has been nothing but supportive of his friend’s path to recovery. No matter where he was in the world, in the early days of Marshall’s struggle, Sir Elton would call and check in every day.

“Your sobriety date is in my calendar,” John told Marshall in 2017. “I’m so happy you exist in the world, and I’m just so proud of you.”

“Thank you, Elton,” the rapper replied. “I love you too.”

Whoever is cutting onions really needs to stop.


Connor Burk

Connor is in his second year of Algonquin’s Professional Writing program. He has been obsessed with rap music since being introduced to Eminem at an inappropriately young age

City Pop, Japan’s 80s Nightlife Soundtrack

Pop music has a tendency to never fully leave us. Whether it's “Africa” by Toto or “Take On Me” by a-ha, these tracks refuse to be forgotten about, eventually finding their way back into the ears of listeners. Thanks to social media, old pop music continues to resurface for a whole new generation to enjoy. Yet there is one style that has completely taken over, and that is Japanese city pop. This sub-genre is characterised by cool synths, catchy melodies and sharp instrumentation. City pop is often described as incredibly nostalgic, even by those who weren’t around during its prime. The imagery and themes used in the songs are reflections of the social ideals of the time: romance and heartbreak, excitement for the future, glamorous lifestyles and a carefree attitude.

As we saw last year, “Mayonaka no Door / Stay With Me” by Miki Matsubara is one of those songs. Originally released in 1979, it saw a resurgence in popularity 41 years later in 2020 when it began to be used on TikTok. The song features a breezy melody and wistful vocals over a syncopated bass line and lively brass. Even if you can’t understand Japanese, it’s hard to miss the melancholy tone in Matsubara’s voice as she sings about a lost love.

“Mayonaka no Door” is just one of many great city pop hits from the 80s. Here’s a few more to add to your city pop playlist.

Courtesy of Warner Music Japan

1) “Plastic Love” by Mariya Takeuchi 

Another recently re-popularised tune, “Plastic Love” tells the story of a woman going through a difficult breakup who tries to forget about it by going out and partying. It has a wistful vibe similar to “Mayonaka no Door”, featuring the same low synth and light percussion layered with Takeuchi’s vocals echoing a tone of dreamlike loneliness.

Courtesy of Madison Mead on Unsplash

City pop doesn’t always have to be sad and pensive. Also sung by Mariya Takeuchi, “Shiawase no Monosashi” is a song that has a positive message and uplifting tune, with Takeuchi reminding us to appreciate what we have and that happiness looks and means different things to everyone. 

3) “Merry Christmas” by Chieri Ito

Even though it’s a Christmas song, Chieri Ito’s “Merry Christmas” is still a great song to listen to any day of the year. The banging synths throughout and its constantly driving beat make it an extremely cheery tune, perfect for dancing along to.

Courtesy of Last.fm

Thanks to the internet, city pop has found a new home online and is once again being shared for its captivating melodies, rhythmical arrangements and vivid imagery. Hopefully you can appreciate the wonderful genre that is city pop and add a few new songs to your library.


Lily Scutt

Lily is a student at Algonquin College. She enjoys writing and playing video games, and she loves animals.

A Painter Passing Through: The Hidden Gems of Gordon Lightfoot

As a child, I was quite taken with aspects of days past - music, movies, and the world in general. Anything that had faded into obscurity or no longer held relevance was of great interest to me, especially in the case of music. The soundtrack of my life at the time was played out through the speakers in my father’s study. I would spend many an hour enjoying folk tunes of all kinds, from the sea shanties of Stan Rogers to the powerful anthems of The Men They Couldn’t Hang. However, one artist has stayed with me for longer than most, his songs weaving together with memories and moments that, for better or worse, I will never forget.

That artist is none other than Gordon Lightfoot, Canada’s greatest songwriter and a living legend in the folk genre. His legacy is a lengthy and enduring one, but not all of his music has been given the proper credit and recognition that it rightfully deserves. While he was undoubtedly at the top of his game throughout the 1960s and 1970s, he also produced several amazing albums during the 1980s and 1990s, which - in my opinion - are criminally underrated, and deserve some time in the spotlight.

As a tribute to these forgotten gems, here are four of my favourite tracks from them.


In My Fashion — Shadows

 

In my fashion, I have been a good man
I have loved, and I have lost
And ever after, I will be remembered
In my fashion, in my way

 

In My Fashion preaches a simple yet effective message - carry on, no matter what life throws at you. It manages to strike a balance between the perspective of someone thinking about where their life is headed, and someone looking back on their life and contemplating the impact that they had. In his fashion, Gordon has created an excellent, versatile, catchy and upbeat tune.


Whispers of the North — Salute

 

The sound is like a song to me
It takes away the pain
The river is the melody
And the sky is the refrain

 

Whispers of the North makes up for in atmosphere what it lacks in complexity by way of imagery and immersion. As with many of his other songs, Gordon took inspiration from nature for the lyrics - in this case, the beauty of the northern wilderness. Opening with the sound of gently lapping water and distant loon calls, it smoothly transitions into a melodic tune that perfectly captures the feeling of serenity that one experiences in the remote reaches of Canadian nature.


East of Midnight — East of Midnight

 

The road is paved with moonbeams
There are faces that I knew
They all came back to haunt me
But that ain't fair to the folks like me and you

 

East of Midnight sounds radically different from anything else that Gordon has produced, both before and after its release. Combining a quintessentially 80s rock sound with some of his deepest lyrics, it feels like the kind of song that you would put on while driving down a barren stretch of highway in the dead of night, the neon blaze of a distant cityscape slowly fading into an ambient glow as you contemplate your place in life. Profound and beautiful, this is one of his best works to date.


Drink Yer Glasses Empty — Waiting For You

 

Drink yer glasses, girls and boys
It's time to hit the sky
To the tune of thunder
There’s no time to wonder why

 

Drink Yer Glasses Empty is a haunting yet strangely hopeful tune that depicts the lasting effects of World War II on the people at home who watched and waited as it happened, rather than the valiant soldiers who fought overseas. The simple synth sound that hums away in the background lends itself well to the ambling pace of the guitar and Gordon's gentle voice, which creates a rather soothing feeling that allows you to immerse yourself in the kind of world that he describes.


I grew up to the gentle melodies of Carefree Highway and Minstrel of the Dawn, overcame the trials and tribulations of high school with the legendary Don Quixote, celebrated the life of my father over a round of drinks and the energetic tones of Endless Wire, mended a broken heart with the help of Now and Then, and charted a course for my future plans to the hectic tune of Crossroads.

These songs - and many others like them - are truly dear to me, and have become more than just the soundtrack to my life. They have carved out a place in the very bedrock of my identity and existence, so as far as I’m concerned, they are as good as gold.


The Conductor

The Conductor is a riddle, wrapped in a mystery, inside an enigma. Elusive, reclusive, and an old soul through and through, he enjoys going on excursions into the wilderness, listening to classic folk music, drinking good scotch, and yelling at clouds.

Lil Dicky - AKA the Most Unconventional “Professional Rapper”

Anyone who listens to rap music knows that it is a genre dominated by African American talent, largely from inner-city regions of New York, Georgia, Michigan and California. The lyrics that rap artists produce are often chock-full of references to money, sex, drugs and the overall gangster lifestyle.

courtesy of @lildickygram on instagram

How, then, has a white, upper-middle class, Jewish, honours university graduate from suburban Pennsylvania with a penchant for small penis jokes been able to figuratively flip the rap-game on its head with chart-topping singles, countless A-list collaborations and his own network television show?

Meet Dave Burd – better known by his self-deprecating, tongue-in-cheek stage name Lil Dicky. Dave’s career trajectory from account manager to professional rapper is equal-parts unconventional and fascinating. In 2013, he became an overnight sensation when the music video for his song “Ex-Boyfriend” from his first mixtape surpassed one million views on YouTube in its initial 24 hours. Two years later, Burd’s debut album Professional Rapper was released, peaking at number seven on the Billboard Top 200 list, even reaching number one on the company’s rap, comedy and independent album charts.

Youtube thumbnail for “professional rapper”

Alongside Professional Rapper came a single and animated music video of the same name featuring the one and only Snoop D-O-Double G. The song, presented as an interview between Burd – a prospective “professional rapper” – and Snoop – an industry titan – showcases the former’s unique ability to blend rhythm, flow and comedic timing into what would otherwise be a regular conversation. Snoop asks about Dave’s background, his interests in rap, his biggest strengths and his future plans, and the interviewee’s claim to “want to do the whole thing different” has the legend questioning how the two could ever be legitimate peers.

But legitimate peers they are, even if at face value they appear to be polar opposites in every conceivable way. As great of a track as “Professional Rapper” is, it’s not even the best dialogue-focussed song on the album; that title belongs – in my opinion – to “Pillow Talking,” an 11-minute post-coital conversation between two people who clearly don’t know the first thing about one another.

Here, Dave’s initial inquiries about his lover’s family lead to spirited debates about war, religion, the existence of extraterrestrial life, dinosaurs and animal rights – you know, all the usual topics you discuss after a steamy encounter of this nature.

Professional Rapper album cover - courtesy of wikipedia

Of course, I’d be doing Dave a disservice by failing to mention the song that truly separates him from the rest of his professional colleagues. Where most rappers use their platforms to boast about their extravagant wealth and material possessions, Dave uses “$ave Dat Money” to poke fun at these traditional rap themes while leaning into stereotypes about his Jewish heritage by focussing on the importance of saving money and economic frugality. The corresponding music video hilariously follows Dave’s attempts to solicit volunteers to help him display exquisite wealth – with mansions, fancy cars and luxury yachts – while spending as little money as possible.

Since Professional Rapper’s release, Lil Dicky has collaborated with Chris Brown for a “Freaky Friday” parody and raised money and awareness for the dangers of climate change alongside Justin Bieber, Ariana Grande and Leonardo DiCaprio (amongst countless others) with his song “Earth.” He’s also written and starred in two seasons of Dave – a show loosely based on his early career akin to Childish Gambino’s Atlanta. A sophomore album has been in the works for years, and fans like myself are eager to hear what comedic content Dave will come up with next. When he told Snoop that he “doesn’t want to leave the game the same,” he wasn’t messing around.


Connor Burk

Connor is in his second year of the Professional Writing program at Algonquin College. He has been obsessed with rap music since his inappropriately-early introduction to Eminem as a youth of 10 years old.

Take Advantage of Globalization to Build Your Playlist Today!

In the mid-2000s, I was on the internet. I was a loser with few friends, and it was a long summer of late nights and muggy weather—but it was okay, because I had a shiny, new YouTube account. It was thrilling, sitting at the family computer, slapping on headphones and watching whatever I wanted. I don’t know how to get across how significant it was to suddenly have so much control over the content I consumed. It was content from all around the world, and not just the heavily curated stuff you got through Much Music, MTV or any other channel on television. I had so much choice and variety that it permanently impacted my library.

See, when I wasn’t watching two guys in California lip sync the Pokemon theme (Smosh), I was watching music videos and lyric videos uploaded by fans from all over the world. Meanwhile, record execs were only just starting to ask what a YouTube was. The quality was absolute crap—144p and 240p were to be expected—but that didn’t matter when your music choices suddenly felt unlimited. Before I knew it, I was listening to pop from Japan and UK Garage. I even was an early international fan of K-pop (I might have to write Confessions of an ex-K-Pop fan about that whole experience.)

But reminiscing got me thinking, even with music crossing more borders everyday, the North American market is still extremely difficult to break into for international artists—and it’s a damn shame. So, I’m offering up a few recommendations of songs from around the world that found me back then.

South Korea: Epik High – Peace Day

This song got me through high school. Why? I don’t know, it just slaps. It introduced me to some legends I’m still loving nearly two decades later. I want to say it has a 90s and early 2000s hip-hop inspired sound but frankly, I’m bad at getting specific about genres. I think if you like I Wish by Skee-Lo then this could be a good track for you.

Japan: m-flo - Come Again

When friends bring up Japanese music, it’s often an act like L’Arc~en~Ciel or BABYMETAL—both cool, but it’s crazy to me how industry legends like m-flo are unknown here. Choosing one track to showcase them was next to impossible. Their albums are experiences to be listened to in full (the m-flo LOVES series is especially good if you want to sit back and pretend that you’re on a shuttle to Mars.) In the end, I’m choosing to stick with the old-school hip-hop sound and recommend Come Again. It mixes up smooth sections with sharp bursts that keeps it exciting and is just beautiful overall.

Germany: Die Fantastischen Vier – Der Picknicker

Again, old-school hip-hop, and again, legends in their country—they were instrumental to the popularity of hip-hop and rap in Germany. Der Picknicker has a smooth sound and bassline and I know enough German to tell you that the lines shouted during the chorus mean, “No shit, man. Everybody knows,” which are some useful phrases to know, I think.


This is a miniscule fraction of songs, but I hope that they got you thinking about the music scenes in other countries. There are amazing songs released everyday, all over the world, and it’s so easy to find them. The world feels so connected now and experiencing that connection firsthand through music is just incredible. So, what are your top tracks from around the world?


Tess

Tess is a long time attender of live music, from someone’s basement with questionable fire safety to sleeping in a muddy field for a week with tens of thousands of others- and questionable fire safety. Her favourite sport right now is parkour.

My Chemical Romance - The Black Parade

courtesy of reprise records

The Black Parade is the third studio album by the American band My Chemical Romance. The album was released in October of 2006 and earned the band their first number-one single in the UK with “Welcome to the Black Parade.” The Black Parade is a rock opera that revolves around the central character known as “The Patient,” who has cancer. The album tells the story of his death, his experiences in the afterlife and his life reflections. This album has many interpretations of the storyline so, understandings differ from listener to listener.

“We wanted ‘The End’ to make you feel like you were about to be taken on a journey.” – Gerard Way (2006)

In my interpretation, the album begins with the death of The Patient and follows his journey to the afterlife. The Patient dies during the first two songs on the album “The End.” and “Dead!”. “The End” starts with a heart monitor beeping, and “Dead!” begins with the sound of the machine flatlining. “Welcome to the Black Parade” is The Patient’s experience of dying. Death comes for The Patient in the form of a parade. Lead singer, Gerard Way, believed that you are met by a prominent memory from your life when you die. In the case of The Patient, he is met by a parade he attended as a child. “Welcome to the Black Parade” was the first single released for the album and arguably the most well-known. If you’re ever in need of a song that’ll hype you up, I would recommend “Welcome to the Black Parade.”

“I Don’t Love You” shows The Patient’s fears and regrets as well as all the mistakes he’d made in his life. He sees his past lovers and how terribly he treated them yet, he still doesn’t want to take responsibility for his actions. “House of Wolves” shows The Patient a glimpse of hell. “Cancer” is The Patient’s final realization of what his death means to those who love him, and “Sleep” represents The Patient finally apologizing for the destructive things he did throughout his life.

“Famous Last Words” represents The Patient’s passage into either heaven or hell. The song has many rock-heavy parts leading some to believe he goes to hell. The bridge, however, is peaceful, which leads others to think he goes to heaven.  

band members from left to right: bob bryer, frank iero, Gerard way, Mikey way, ray toro. courtesy of abcnews.com

There is much debate about where The Patient dies. Some believe it is during “Welcome to the Black Parade,” meaning that “The End” is the initial thought of dying and “Dead!” is him realizing that he is going to die soon. There is also speculation that The Patient decides to fight back and keep living in the song “Famous Last Words.” The song “Blood” begins with a minute and thirty seconds of silence before the lyrics begin. These two songs together have led many to believe that The Patient survives and wakes up in the hospital as the music starts in “Blood.”

In their performances following the album’s release, the band would often dress in matching black marching band outfits. The performances were theatrical, with Gerard Way assuming a character as a member of The Black Parade, which I would have loved to see.

“The intention was to make something that was classic, something timeless.” - Ray Toro (2006)

The Black Parade was a staple during my wannabe-punk phase, and 15 years after its release, it is still being talked about and played.

Listen to MCR talk about The Black Parade


Molly Briggs-Webb

Molly is a student at Algonquin College. She loves writing, travelling and photography.

The Importance of Music

Have you ever been watching something and suddenly hear a song so good that you can’t get it out of your head for the next week? Or maybe you’ve played a video game with a soundtrack that seems to pull you right into the world? 

Arguably, the music is one of the most important parts of any film or television series. The soundtrack can either make or break the entire thing. A lot of thought goes into what and when songs will play. The point of having music in film and TV is to enhance your viewing experience. It also is one of the things that makes particular scenes that much more memorable. Any fan of Brooklyn 99 would be able to recognise the Backstreet Boys’ “I Want it That Way” just from that one scene, just as Grey’s Anatomy fans wouldn’t be able to help tearing up whenever “Chasing Cars” by Snow Patrol comes on.

Could you imagine the iconic baseball scene from Twilight without "Supermassive Black Hole" by Muse? What about Guardians of the Galaxy without its ‘80s soundtrack? Imagine playing a game with no background music—for example, trying to defeat Dark Beast Ganon in the final battle of Breath of the Wild without the epic soundtrack playing—the experience would be significantly less exciting. Trying to envision your favourite shows without their accompanying music highlights the commonly overlooked fact that music makes TV. 

Now to a look at some of my favourite film, TV, and game soundtracks across different genres to prove just how important the right music is at the right moments (Warning: Contains spoilers for The End of Evangelion and Danganronpa: Trigger Happy Havoc).

image courtesy of Shunji Suzuki

image courtesy of Shunji Suzuki

1) “Komm, Susser Tod” by Arianne - The End of Evangelion

“Komm, Susser Tod” (“Come, Sweet Death”) plays during a pivotal moment in The End of Evangelion, wherein the main character Shinji has just initiated the end of the world. The seven-minute-long scene shows many deaths of characters as “Human Instrumentality” happens, meaning everybody becomes merged into one, all existing within a shared reality. The use of “Komm, Susser Tod” is, in my opinion, an excellent way to convey the thoughts and feelings of Shinji as he sees this new reality unfolding. The song itself is a lyrical, word-for-word explanation of Shinji's feelings towards everything, and why he chose Instrumentality. Another thing that makes the use of “Komm, Susser Tod” so impactful is the irony of it. What sounds like a happy song with an upbeat melody is actually quite sad, being that it plays during one of the most infamously depressing parts of the Evangelion series. The misleading tone makes for an interesting contrast and makes an already amazing scene even better.

Image courtesy of Spike Chunsoft

Image courtesy of Spike Chunsoft

The Danganronpa franchise has no shortage of gruesome moments, and the scene where “Thousand Knocks” plays is one of them. For those unfamiliar, Danganronpa is a game about a group of students who think they’ve been invited to attend an elite school, but have actually become unwitting participants in a deadly killing game. The students are forced to kill each other in order to escape, but the catch is that they’re only allowed to leave if they successfully murder another classmate and are unexposed in a trial, otherwise the murderer will be brutally executed. The first to be executed is Leon Kuwata, with “Thousand Knocks” playing hauntingly throughout the scene. This is the song that truly sets the tone for the series and it leaves a lasting impact. Overall, a good way to open a horror/mystery game. 

3) “Immigrant Song” by Led Zeppelin - Thor: Ragnarok

The use of music in all Marvel movies is exceptional, but the one scene that stood out to me was in Thor: Ragnarok during the coolest battle sequences of the film. It was simply an awesome choice of song which made the entire scene.

Image courtesy of Marvel Entertainment

Image courtesy of Marvel Entertainment

So, those are my picks for best soundtrack. All of these scenes wouldn’t be the same without the music that accompanies them, making them proof of the importance of music.


Lily Scutt

Lily is a student at Algonquin College. She enjoys writing and playing video games, and she loves animals.

Green Day - American Idiot

Green Day was one of the most famous — and possibly the most influential — pop-punk bands of the 1990s. American Idiot was recorded over ten months and released in September of 2004. Lead singer Billie Joe Armstrong said the album was inspired by American political events such as the Iraq War, 9/11 and George W. Bush’s presidency. “American Idiot” and "Holiday” are the most explicitly political songs on the album, but the album casually connects the social dysfunction of America with Bush’s presidency. The album's content is reflective of the time it was released, but many of its themes still apply today. Armstrong derived inspiration from rock operas by bands such as The Who, David Bowie and Pink Floyd. Broadway musicals and rap artists such as Eminem and Kanye West also influenced the album.

“Formats are constantly changing, there are really no rules for the way you put your records out anymore.” - Billie Joe Armstrong

https://en.wikipedia.org/wiki/American_Idiot#CITEREFDiPerna2005

https://en.wikipedia.org/wiki/American_Idiot#CITEREFDiPerna2005

As a concept album, American Idiot has multiple characters created by Billie Joe Armstrong — Jesus of Suburbia, St. Jimmy, and Whatsername — all of whom have their own songs. The first character introduced is the anti-hero Jesus of Suburbia, who is the album’s central character. Jesus of Suburbia is a lower-middle-class teenager living in suburban America. He hates his town, so he leaves for the city. St. Jimmy is introduced next as a punk rock freedom fighter. Whatsername is the nemesis of St. Jimmy and acts as a figure of revolution in the track “She’s a Rebel”. St. Jimmy and Whatsername reflect the album’s theme of rage versus love. St. Jimmy is motivated by self-destruction and rebellion, while Whatsername is fixated on encouraging others to follow their own ethics and beliefs.

courtesy of radiox.co.uk

courtesy of radiox.co.uk

The songs on the album follow Jesus of Suburbia’s decision-making on whether to follow St. Jimmy or Whatsername. In the last song, titled “Whatsername”, it is revealed that Jesus of Suburbia does choose Whatsername following the apparent suicide of St. Jimmy. However, in the song, Jesus of Suburbia eventually loses touch with Whatsername, hence her name. All of this being said, the album's ending is largely unspecified because the group didn’t know where the story would end up. Armstrong eventually decided that the actual ending could be left up to the listener’s imagination.

At the time of its release, Armstrong wanted the album to highlight the transition of a child becoming an adult in America. He wanted to include more political content in American Idiot than the band had included in their previous albums. Armstrong felt he needed to increase the amount of political content in his albums as he became older and grew as a musician. Along with its political content, American Idiot also touches on interpersonal relationships.

In 2004, Billie Joe Armstrong said, “Everybody just sorta feels like they don’t know where their future is heading right now, you know?”

I was only 6 in 2004, so I wouldn’t have had any reason to pay attention to what he was saying. But, I think this quote is even more relevant today. With everything that is going on in the world today, such as Covid-19, the climate crisis and the resurfacing of the Taliban (to name a few), I don’t think anyone knows where the world, in general, is headed. Many of the messages in Green Day’s American Idiot are still relevant today, making the album a timeless masterpiece.

See what Billie Joe Armstrong has to say about Donald Trump.


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Molly Briggs-Webb

Molly is a student at Algonquin College. She loves writing, travelling and photography.

Songs to Listen to While You Cry in the Car Before Having to Work with the Public

I worked at a certain Canadian coffee chain that will not be named for years. Every co-worker was always so stressed out that they just made every other one of us more stressed out; the turnover rate was remarkably high. Co-workers that had transferred to my store from another told me that the customers at our location were, “something else.” All of this is to say that it was an incredibly stressful job: it was not unheard of for someone to break down into tears at some point and walk off the floor (I’d even cried in the drive-thru once myself).

So, on my way to my early morning shifts, I listened to music to get into the right mindset. Working with the public is often a truly unpleasant experience — one in need of a proper soundtrack — so I offer three songs to consider adding to your pre-work playlist.

1)      “I Just Wanna Die…” by FIDLAR

We’ll start off with the melancholic words but happy tones that FIDLAR so often provides us. Although the lyrics are mainly about a failed non-relationship, the chorus really hits when you’re on your way to a job you hate but need to pay the bills. Singing, “I just wanna die,” followed by some fun, “oo’s,” is simple, but it hits just right. Even outside of working with the public, I highly recommend this song (and all others by them).

2)      “Help” by Pink Guy

Joji’s previous character, Pink Guy, is the singer of our follow-up song. You’re starting to get closer to work now, and are a little more desperate in your hopes that maybe when you arrive the store will simply be… gone. “Help” is an excellent soundtrack for this mood. Again, very troubling lyrics shoved over a happy-go-lucky and simple backing track. “Help” features the whimsical sounds of a ukulele that make for an absolutely fantastic sound that captures the mood of going to a shitty job while the sky is blue and it’s beautiful out.

3)      “Square Up” by Zack Fox and Kenny Beats

This is it. You’re in the parking lot, the front door is within view and your feet want to turn you around and take you anywhere but here (which itself would require a whole new soundtrack). But you need your paycheque because you suppose that you do, in fact, need food to survive. It’s time to switch up the songs a bit and go for something that gets you ready to fight. “Square Up” fits the bill. The humorous nature of the lyrics and song kind of echoes conversations you’ve probably had with coworkers at some point when you were frustrated about something.

So, those are the three songs I offer for your pre-work playlist. Are they already on yours? And do you have any to recommend to add to mine?


Tess

Tess is a long-time attender of live music, from someone’s basement with questionable fire safety to sleeping in a muddy field for a week with tens of thousands of others and questionable fire safety. Her favourite sport right now is parkour.


Super Bowl Sunday - Southern California Style!

If you need to know anything about me, it’s the following two things. One: rap music, particularly of the ‘90s and early 2000s variety, has resonated with my soul since an inappropriately young age. Two: the NFL is my church, with Sundays being a day of worship and Super Bowl Sunday serving as my personal Christmas morning.

While working my restaurant job last night, the Executive Chef – a regular participant in my fantasy football league – claimed that the NFL had announced its performers for Super Bowl 56’s halftime show this coming February.

He then read out the following names: Dr. Dre, Eminem, Snoop Dogg, Kendrick Lamar, and Mary J. Blige.

“You’re lying,” I fiercely rebutted. “The halftime show in recent years has been nothing but pop artists like the Weeknd with flashy stage shows intent on captivating those who don’t care about the game that’s being played.” But later in the evening, I checked my phone to see an Instagram post my friend had sent me from TSN, confirming what I’d been told.

courtesy of @nfl on Twitter

courtesy of @nfl on Twitter

Before leaving for work, I’d already mapped out in my mind what I was going to write about for my first blog entry: a profile of the unconventional career of one of my favourite rappers, Lil Dicky. That post is coming, so stay tuned, but this news was so significant that I’d be doing a disservice to myself not to share my reaction.

In that moment, it all made perfect sense to me. The Super Bowl is taking place on Feb. 13, 2022, at the newly constructed So-Fi Stadium in Los Angeles, California. Dr. Dre & Kendrick are both from Compton, a few miles south of LA, and Snoop Dogg is from Long Beach, a handful more miles south from there. All this to say, So-Cal has produced some of the greatest hip hop talent the world has ever known, Eminem is Dre’s protégé and an undisputed international superstar, and Mary J. is one of the pioneer female voices in the R&B and hip-hop/soul communities. OF COURSE this ensemble of artists would headline the first Super Bowl in the LA area since 1993 when the Rose Bowl hosted Super Bowl 27.

It took everything I had not to react like a teenage girl after securing tickets to see Justin Bieber perform live. I don’t think they could have crafted a better lineup without resurrecting Tupac from his peaceful slumber.

I normally pay little mind to the Super Bowl’s halftime show, as I’m often too intently focussed on the game itself, but this year will be very different. For 10-12 minutes on the holiday of all holidays, football will be the furthest thing from my mind. I’ve already imagined what songs might be performed: “Nuthin’ but a G Thang” is a strong possibility, as is as a reminder that it’s “Still D.R.E.,” a verse or two from “Forget About Dre” is certainly on the table, as is the likelihood of Kendrick ensuring things stay “Humble.”

“We have to figure out creatively how we’re gonna just, like *poof* blow people’s minds,” Dr. Dre said in a promotional video released by the NFL.

“Before the two-minute warning and halftime,” Snoop added, “get your snacks and refreshments,” alluding that this is a show not to be missed.

As I write this, it still doesn’t seem real. All my favourite living rap artists sharing a stage on the greatest football day of the year. If Tom Brady goes on to win his 8th ring, or the Patriots SOMEHOW find a way to win their 7th without him, Feb. 13 could very well be the greatest day ever.


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Connor Burk

Connor has been an avid listener of rap and hip-hop since first being introduced to Eminem at 9 years old. He is also an extremely passionate sports fan - a supporter of the New England Patriots, the Washington Nationals, and the brand new Seattle Kraken. He is a recovering victim of years of emotional trauma suffered at the hands of the Toronto Maple Leafs.

Musical Notes

Do you enjoy belting out the lyrics to classic rock ballads while air-guitaring along to your favourite solos? Is there an album from your past that sparks nostalgia in the best possible way? Can you not help but to nod your head when the hip-hop beat hits just right? Are you interested in learning about the history of music, regardless of your genre or era of choice? If you answered yes to any of these questions, you've come to the right place!

 Welcome to Musical Notes: A journey through music, one note at a time.

 The beautiful thing about music is that tastes are entirely subjective, and everyone has their own opinions.

 You could be like Connor in believing that Eminem – one of the most controversial and acclaimed hip-hop artists of all time – is virtually immune from the current "cancel culture" trend, despite having a catalogue of lyrics that have shocked audiences and stirred protests for over 20 years.

 Maybe you agree with Molly that Green Day's American Idiot is one of the most revolutionary concept albums of all time; one that pit an entire generation of young, angsty Millennials against the right-wing political machine.

 Perhaps you might be a connoisseur of the 1970s punk movement, and like Tess, feel that the British and American punk movements evolved in completely different ways, despite occurring simultaneously.

 Maybe you share The Conductor's interest in folk music, as well as the opinion that many great artists and songs of the genre remain criminally underrated and underappreciated in a world that has all but moved on from the kind of master craft songwriting that defined the genre in days past.

 Or you may, like Lily, be interested in why certain music may be incorporated into various other mediums, such as movies, television, and video games.

 You also might not agree with any of these statements, and honestly that's okay. This is a blog for the musically inclined and the not-so-inclined; you don't have to be Mozart to appreciate a good beat. We'll cover some of the topics we mentioned here and more, so find a comfy spot, hit play on your favourite Spotify playlist, and join us as we take you on a musical journey - one note at a time.