Stories Without Words: The Versatility of Video Game Music

Music is a wonderfully diverse art form, encompassing a vast array of genres and an endlessly wide variety of subjects. Lyrics are often the most important part of any given song, as they provide the majority of its impact and meaning - for most people, that is. In truth, I tend to ignore lyrics and focus more on the way songs sound - the cadence of the singer's voice and the quality of the music itself is what makes or breaks a song for me. To this point, I generally prefer music without lyrics.

A good story can be told through music alone, casting words aside in favour of evoking emotional resonance through instrumentation. Nowhere is this more apparent than in the realm of video game music, where any given tune can tell its own tale - one that may not be explicitly stated or otherwise implied. It adds depth and nuance to any scene, and ultimately serves as the backbone for atmosphere in general.

There are countless examples of video game music elevating something that would otherwise just be alright into something truly incredible, and the varied nature of these examples is a testament to the versatility that is inherent to this kind of music. With that in mind, I believe that the tracks listed below are some of the best examples of what video game music can achieve, from the stories they tell to the impact they leave - all accomplished without a single word.


As with music, a good story can make or break a game - even a simple tale can be effective if it is written well. Many games that take this simple yet effective route of storytelling rely on things like atmosphere in order to convey deeper points and emotions. The Pokémon series in particular is notable for staying true to this method, with admittedly mixed results - for the most part, that is. Black and White are still held in high regard for prioritizing the story over everything else, and with that story comes music to match its quality and depth.

Lace up your running shoes and gather your team of Pokémon, because you're heading down...

UNOVA ROUTE 10

"If I get stronger and become the Champion, that will be the reason for my existence. I want to prove that I'm really living."

Route 10 serves as the penultimate path of the game, and the music perfectly captures the essence of finality and reflection. It sounds bittersweet yet hopeful, as if to remind you that while your journey across Unova may be coming to an end, the memories that you made will remain to be cherished forevermore. The area itself is nothing special on the surface, but the importance that it carries deserves a story of its own, and this track tells that tale in a beautifully wistful fashion.


It is important to note that not all video game music carries emotional resonance or plot relevance in the same way that Unova Route 10 does. Instead, many tracks build upon the atmosphere in a more tangible sense by associating a certain kind of music with the way that an area looks and feels. This is probably the most common type of video game music, but that is not necessarily a bad thing - quite the opposite, in fact!

Bundle up and prepare to brave the oppressive chill of the Frostlands, for your destination is...

A TOWN VEILED IN WHITE

"Welcome to Stillsnow, our humble village buried amidst the deep drifts."

Picture this, if you will - a small, cozy village, nestled in a valley overlooked by the snow-capped peaks of a towering mountain range that extends across the horizon. Bathed in the soft ochre glow of gaslight, the winding cobble streets are bustling with activity - market stalls offering homemade pastries and confections, families spending time at the local ice rink, couples enjoying a night on the town. The cheer and festivity is practically tangible, felt in the air that carries a gentle snowfall to build upon the pristine winterscape. Above, the northern lights race across the sky - a vibrant, blazing cascade of colour on a canvas of pitch, gracefully weaving its way through the stars on high.

This beautiful picture - perfectly serene and ethereal - is what the track paints, and is a prime example of what music can do for atmosphere.


As we have seen, video game music can tell stories through emotional resonance in tandem with plot developments, or it can simply help to craft an immersive atmosphere. This, of course, is where the inherent versatility that I mentioned comes into effect, as there are plenty of tracks that can carry emotional impact, work with the plot, and build atmosphere. Tracks like this are fairly rare, as it takes a truly talented composer to check all three boxes at once. The results are often fantastic, and usually lead to some highly memorable moments.

It will not be easy to forget the icy grasp of dread that creeps its way through your veins. The end of your journey and the target of your revenge await you at the pinnacle of the towering fortress that now stands before you - a place better known as...

DEATHSHEAD'S COMPOUND

"Remember that you trespass against a man who built a civilization."

Hailing from the titular compound, this track builds atmosphere and a sense of purpose for the story all at once. It takes a while to build up to the main segment, and it spends that time making you feel like you're leading the charge against an impossibly strong enemy force. This initial part of the track is bleak, emanating a chilling aura of uncertainty and desperation. Once you get further into the compound, though, it drops hard. The legions of Nazi soldiers and mechanical monstrosities fall before your relentless assault, and the gravity of the situation is brought crashing down upon you - after everything that you've been through, you're about to kill the man whose inventions singlehandedly won the war for the Germans, ushering in an era of tyranny and chaos.

The methodical buildup of this track makes for an excellent, atmospheric, and downright epic sequence.


Every battle is a story in its own right, and while some play out over entire levels, some get straight to the point with a climactic clash against a villain - and by that, I mean boss battles. Most music in this category is pretty straightforward, but as with the last example, a truly talented composer can turn an otherwise shallow track into a self-contained narrative sequence. This usually manifests in the form of different music for different phases of a battle, often getting more intense over time.

Case in point: you've quite literally fought your way out of hell, and all that stands before you and your freedom is a single opponent, standing across the ancient terrace. There must be some sort of catch, right?

Of course there is.

Your opponent is the Lord of the Underworld himself, also known as...

HADES, GOD OF THE DEAD

"You wish to test yourself against the full extent of my wrath? Very well."

This track has three distinct phases, all of which go even harder than the last. The first phase starts off slow to match the pace of the battle, which pairs well with the sombre nature of the encounter - a necessary evil, if you will. The second phase brings the heat, as the battle becomes far more intense. Eventually - once it seems that Hades has been vanquished - the intermission cools things down for a bit.

Then the third phase kicks in, and all hell breaks loose. Neither side is holding back at this point, and the frenzied pace of the track at this point speaks volumes about how goddamn awesome this battle is.

Eons of pent-up rage, frustration, and resentment between two ancient gods is conveyed in just 13 minutes of metal. That is the power of video game music, and it just goes to show how incredibly versatile it can be when telling a story without words.


With the right track, any kind of story can be told - a bittersweet look back on an unforgettable adventure, an immersive take on a lovely winter village, a last-ditch assault on the compound of a man who effectively ended the world, or a clash between gods that was thousands of years in the making. The narrative possibilities are endless.

The sun now sets on this post, but there are countless examples of stories without words in the realm of video game music - you just need to listen for them.


The Conductor

The Conductor is a riddle, wrapped in a mystery, inside an enigma. Elusive, reclusive, and an old soul through and through, he enjoys going on excursions into the wilderness, listening to classic folk music, drinking good scotch, and yelling at clouds.

Rant & Roar: The Greatest Hits of Great Big Sea

From playing at pubs for $100 and free drinks to ushering in the new millenium with a crowd 90,000 strong, the meteoric rise of Great Big Sea is indicative of the fantastic quality of their songs. Quickly garnering a reputation for their unique style - a mix of contemporary pop and modern takes on traditional Newfoundland folk tunes - their reign in the Canadian folk music scene lasted for 20 years and resulted in a grand total of 14 studio and live albums, all of which carry that distinctive style. While their traditional side has produced some excellent tunes, like Old Polina and Process Man, their modern side is where their talents truly shine through.

As a lifelong fan of theirs, I take every opportunity I can get to promote their music, with the hope that their songs will bring others as much joy as they have brought me over the years. In light of this, here are five of their catchiest, most upbeat songs to date.


Consequence Free - Turn

 

Wouldn't it be great
If the band just never ended
We could stay out late
And we would never hear last call

Consequence Free may not have the deepest lyrics or the most complex instrumentation, but it makes up for that by having positive waves in spades. The message it preaches is simple: cast your concerns aside and live life to the fullest, consequences be damned. With fantastic vocals from Alan Doyle and a very catchy rhythm, Consequence Free will have you moving and grooving in no time.


Sea of No Cares - Sea of No Cares

 

When you're in love, there's no time and no space
There's a permanent smile on your face
Your friends all complain that you're going insane
But the truth is, they're just afraid

Sea of No Cares feels like the kind of song you would listen to as you cruise along a beautiful coastline road, basking in the cool ocean breeze as the heat of the sun beats down on you. Like Consequence Free, it makes up for in catchiness and positivity what it lacks in complexity and depth. Another solid tune, perfect for road trips and ordinary days alike.


Straight to Hell - Fortune's Favour

 

So have a dance with the walking damned
Before my time is done
'Cause a deal is a deal
And I don't expect fire and brimstone will be much fun

Straight to Hell goes a little harder than most Great Big Sea songs, making it great for parties and nights of festivity - especially after a few drinks. Alan Doyle nails the vocals once again, which - combined with the comparatively heavy guitar riffs and the overall hectic pace - turns this tune from an average rock song into one hell of a good time.


Nothing But A Song - Safe Upon the Shore

 

You put on a happy face
For everybody new
But the closest to your heart
So rarely get the best of you

Nothing But A Song was reportedly written after an argument between Alan Doyle and fellow band member Sean McCann, which is why its lyrics speak of how important it is to cherish the bond that one has with the people closest to them. The song itself has an uplifting and energetic tone, which contrasts well with the serious nature of the lyrics and gives it a much stronger impact overall. Give it a listen, and you'll come away with a better appreciation of what truly matters in life.


Heart of Hearts - XX

 

We answered every siren's call
We watched the stars collide and fall
Stood back to back against the wall
We ran before we crawled

Heart of Hearts is a song about looking back on life and celebrating everything that one has accomplished, as well as looking to the future and whatever it may hold. Great Big Sea came to an end soon after XX was released, so while Heart of Hearts has the bittersweet distinction of being their swan song, it still holds up as a positive, versatile, catchy and overall wonderful tune.


More than 10 years after their disbandment, the legacy of Great Big Sea lives on. Having cemented their reputation as legends of the folk rock scene, their timeless tunes are still appreciated and enjoyed by people all across Canada. They came, they saw, they conquered and crumbled - in their own true way!


The Conductor

The Conductor is a riddle, wrapped in a mystery, inside an enigma. Elusive, reclusive, and an old soul through and through, he enjoys going on excursions into the wilderness, listening to classic folk music, drinking good scotch, and yelling at clouds.

A Painter Passing Through: The Hidden Gems of Gordon Lightfoot

As a child, I was quite taken with aspects of days past - music, movies, and the world in general. Anything that had faded into obscurity or no longer held relevance was of great interest to me, especially in the case of music. The soundtrack of my life at the time was played out through the speakers in my father’s study. I would spend many an hour enjoying folk tunes of all kinds, from the sea shanties of Stan Rogers to the powerful anthems of The Men They Couldn’t Hang. However, one artist has stayed with me for longer than most, his songs weaving together with memories and moments that, for better or worse, I will never forget.

That artist is none other than Gordon Lightfoot, Canada’s greatest songwriter and a living legend in the folk genre. His legacy is a lengthy and enduring one, but not all of his music has been given the proper credit and recognition that it rightfully deserves. While he was undoubtedly at the top of his game throughout the 1960s and 1970s, he also produced several amazing albums during the 1980s and 1990s, which - in my opinion - are criminally underrated, and deserve some time in the spotlight.

As a tribute to these forgotten gems, here are four of my favourite tracks from them.


In My Fashion — Shadows

 

In my fashion, I have been a good man
I have loved, and I have lost
And ever after, I will be remembered
In my fashion, in my way

 

In My Fashion preaches a simple yet effective message - carry on, no matter what life throws at you. It manages to strike a balance between the perspective of someone thinking about where their life is headed, and someone looking back on their life and contemplating the impact that they had. In his fashion, Gordon has created an excellent, versatile, catchy and upbeat tune.


Whispers of the North — Salute

 

The sound is like a song to me
It takes away the pain
The river is the melody
And the sky is the refrain

 

Whispers of the North makes up for in atmosphere what it lacks in complexity by way of imagery and immersion. As with many of his other songs, Gordon took inspiration from nature for the lyrics - in this case, the beauty of the northern wilderness. Opening with the sound of gently lapping water and distant loon calls, it smoothly transitions into a melodic tune that perfectly captures the feeling of serenity that one experiences in the remote reaches of Canadian nature.


East of Midnight — East of Midnight

 

The road is paved with moonbeams
There are faces that I knew
They all came back to haunt me
But that ain't fair to the folks like me and you

 

East of Midnight sounds radically different from anything else that Gordon has produced, both before and after its release. Combining a quintessentially 80s rock sound with some of his deepest lyrics, it feels like the kind of song that you would put on while driving down a barren stretch of highway in the dead of night, the neon blaze of a distant cityscape slowly fading into an ambient glow as you contemplate your place in life. Profound and beautiful, this is one of his best works to date.


Drink Yer Glasses Empty — Waiting For You

 

Drink yer glasses, girls and boys
It's time to hit the sky
To the tune of thunder
There’s no time to wonder why

 

Drink Yer Glasses Empty is a haunting yet strangely hopeful tune that depicts the lasting effects of World War II on the people at home who watched and waited as it happened, rather than the valiant soldiers who fought overseas. The simple synth sound that hums away in the background lends itself well to the ambling pace of the guitar and Gordon's gentle voice, which creates a rather soothing feeling that allows you to immerse yourself in the kind of world that he describes.


I grew up to the gentle melodies of Carefree Highway and Minstrel of the Dawn, overcame the trials and tribulations of high school with the legendary Don Quixote, celebrated the life of my father over a round of drinks and the energetic tones of Endless Wire, mended a broken heart with the help of Now and Then, and charted a course for my future plans to the hectic tune of Crossroads.

These songs - and many others like them - are truly dear to me, and have become more than just the soundtrack to my life. They have carved out a place in the very bedrock of my identity and existence, so as far as I’m concerned, they are as good as gold.


The Conductor

The Conductor is a riddle, wrapped in a mystery, inside an enigma. Elusive, reclusive, and an old soul through and through, he enjoys going on excursions into the wilderness, listening to classic folk music, drinking good scotch, and yelling at clouds.